Books
The Rendering. Omnidawn. Forthcoming April, 2023.
Borderland Apocrypha. Omnidawn. 2020.
Edited/Translated Collections
Akrílica by Juan Felipe Herrera. Noemi Press. 2022 (Co-edited and co-translated alongside Carmen Giménez and Farid Matuk)
How Do I Begin?: A Hmong American Literary Anthology. Heyday. 2011. (Co-edited)
Work
Removal, Return. National Poetry Month Series, The Rumpus. April 15, 2024.
A Dust Bowl Field Recording, Arvin, CA 1940, Communique 1.3.0.b – The Ancestral Progeny of Megaptera Novaeangliea, Everywhere I sleep, I see Dust Bowl, 13.0, In watching Tiny Tim’s “The Ice Caps Are Melting” (1968) I understand, and mmry. Elderly Magazine. Issue 33 1/3. February 2023.
“Stop. Go put your shoes back on. They’ll know we Okies,” a Lost Image Reclamation. The Academy of American Poets: Poem-A-Day Series. October 4, 2022.
HomeHumanMachineFailureSpiral. Poetry Magazine’s Harriet Blog. September 28, 2022.
Cada día más cerca del fin del mundo. Poetry Magazine. July/August 2022.
The Rendering, as Neoapocalyptices and PoemMural Assemblage. Gallery Exhibition. The Ramp Gallery at SOMArts (Feb. 9, 2022 – April 12, 2022).
Analog Jaguar Forest Digitization Canopy as part of the Inspired By Series for Magma Poetry (UK). Magma Poetry 81 – Anthropocene.
autoretrato #81, sin boca, and “A Shifting, Dissolving Fresno Poetics”, a micro-essay on Fresno Poetics. Traffic Report – Small Press Traffic. November 2021.
wtr and Elegy with Barbed Wire Swaddling a Fortunate Child, as Barbed Triptych-Assemblage. Colorado Review. Winter/Fall 2021.
In Praise of Fences, Broken. Adroit Journal. August 2021.
Eating Migas. LitHub. October 26, 2020.
brd. The Academy of American Poets: Poem-A-Day. October 2, 2020.
DustLore, No. 35. Anomaly: Issue #29. February 2020.
Everywhere I sleep, I see Dust Bowl (a 15 poems in 15 days series and fundraiser). FresnoWriters.Com: October 2-16 2019.
a passport photo asks me to 2×2 myself and capture what I am in neutral and I recall I have yet to see the chamber of my heart turn tusk and This land is your land, Holtville, California. ctrl+v journal: Issue #4. Summer 2019.
Searching. Gulf Coast Journal: Volume 31. Issue 2. Summer/Fall 2019.
Elegy of Skin, in Kerosene & Mesquite, Antonio Rodríguez, November, 3, 1910 and Standing in line to take a passport photo, an old white man looks at me and claims I am running. Ninth Letter: Volume 16. Issue 1. Spring/Summer 2019.
Bracero(s) & The Ice Car, a Mexican Lynching. Puerto del Sol: May 2019.
no te quedes and Nopales, a Mexican Lynching, No. 39. The Boiler Journal: Winter 2018.
A Theft from the Liminal. Queen Mob’s Teahouse: December 2017.
The Axolotl Speaks and On Being Born. Tinderbox Poetry Journal: Volume 4 Issue 3. June 2017.
In the Redaction of the Fake 45th. Tropics of Meta. May 2017.
Nobody told the morning to arrive. Triquarterly Issue 151. January 2017.
Fragments of Home and Migas. El Tecolote Newspaper. Gentromancer: A collaborative art/poetry initiative with visual artist Josue Rojas. September 2015.
Pete Seeger Sings “Deportee (Plane Wreck at Los Gatos” Above the Hudson River Valley. Prairie Schooner. Summer 2016: Volume 90 Number 2.
In Seach of Basquiat, Juan Doe Rides with Death. ToeGood Poetry Journal. December 2014.
Lemon Cura. I Have a Dream – 50 Years of Change (art and poetry in celebration of Martin Luther King, Jr.). El Taller Latino Americano. August 2013.
A Group of Children Evade Summer. The Harlem Salon. July 2013.
Interviews
Fresno Poet Anthony Cody On Being Named a National Book Award Finalist. KVPR Radio. October 2020.
With Anthony Cody’s Big National Book Award News, Fresno’s Poetry Scene Gets Even More Impressive. Munro Review. October 2020.
Under Pressure. The Boiler. August 2020.
Anthony Cody Vies for University Honor. Munro Review. May 2020.